{"id":9107,"date":"2023-02-11T11:25:41","date_gmt":"2023-02-11T10:25:41","guid":{"rendered":"https:\/\/prahaskolska.200.solutions\/?p=9107"},"modified":"2023-02-11T11:25:42","modified_gmt":"2023-02-11T10:25:42","slug":"fotoreportaz-nova-stala-expozice-v-ngp-pripomina-slavne-architektonicke-pociny-v-dobe-socialismu","status":"publish","type":"post","link":"https:\/\/prahaskolska.200.solutions\/?p=9107","title":{"rendered":"FOTOREPORT\u00c1\u017d: Nov\u00e1 st\u00e1l\u00e1 expozice v NGP p\u0159ipom\u00edn\u00e1 slavn\u00e9 architektonick\u00e9 po\u010diny v dob\u011b socialismu"},"content":{"rendered":"\n

V\u00a0N\u00e1rodn\u00ed galerii ve Veletr\u017en\u00edm pal\u00e1ci je k vid\u011bn\u00ed nov\u00e1 st\u00e1l\u00e1 expozice s n\u00e1zvem Architektura v\u0161em. N\u00e1zev v\u00fdstavy odkazuje na stejnojmennou knihu Karla Honz\u00edka, kter\u00e1 popisuje pov\u00e1le\u010dn\u00fd kulturn\u00ed vzestup \u010ceskoslovenska. Hlavn\u00edm c\u00edlem expozice je p\u0159edstavit div\u00e1k\u016fm v\u0161ech v\u011bkov\u00fdch kategori\u00ed v\u00fdznamn\u00e9 architektonick\u00e9 po\u010diny u n\u00e1s.<\/strong><\/p>\n\n\n\n

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Interi\u00e9r budovy Nov\u00e9 sc\u00e9ny N\u00e1rodn\u00edho divadla<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Architektura v\u0161em se v\u011bnuje EXPU 58 v\u00a0Bruselu, sv\u011btov\u00e9 v\u00fdstav\u011b, kter\u00e1 byla d\u016fle\u017eit\u00fdm miln\u00edkem pro \u010deskoslovenskou pov\u00e1le\u010dnou kulturu. Zem\u011b se tehdy dostala do kulturn\u00edho pov\u011bdom\u00ed cel\u00e9ho sv\u011bta. Architekti \u010deskoslovensk\u00e9ho pavilonu, Josef Hrub\u00fd, Zden\u011bk Pokorn\u00fd a Franti\u0161ek Cubr, odvedli skute\u010dn\u011b skv\u011blou pr\u00e1ci. Budovu tvo\u0159ila konstruk\u010dn\u011b lehk\u00e1 stavba z ocelov\u00fdch sloup\u016f a obvodov\u00fd pl\u00e1\u0161\u0165 ze skla a betonu. D\u016fraz byl kladen na jednoduchost, um\u00edrn\u011bnost a \u0159\u00e1d, co\u017e nakonec trojici architekt\u016f p\u0159ineslo cenu za nejlep\u0161\u00ed pavilon na cel\u00e9m EXPU. Nebylo to ani zdaleka jedin\u00e9 ocen\u011bn\u00ed, kter\u00e9 \u010deskosloven\u0161t\u00ed um\u011blci na EXPU dostali. Porotci ocenili Velkou cenou EXPA socha\u0159e Vincence Makovsk\u00e9ho za jeho souso\u0161\u00ed Nov\u00fd v\u011bk, kter\u00e9 st\u00e1lo p\u0159ed \u010deskoslovensk\u00fdm pavilonem. V sou\u010dasnosti toto d\u00edlo m\u016f\u017eeme spat\u0159it u vstupu do are\u00e1lu brn\u011bnsk\u00e9ho v\u00fdstavi\u0161t\u011b.<\/p>\n\n\n\n

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Souso\u0161\u00ed Nov\u00fd v\u011bk od Vincence Majakovsk\u00e9ho<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Interi\u00e9r \u010deskoslovensk\u00e9ho pavilonu na EXPU 58<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

S\u00a0na\u0161\u00edmi \u00fasp\u011bchy na sv\u011btov\u00fdch v\u00fdstav\u00e1ch se poj\u00ed r\u016fzn\u00e9 medi\u00e1ln\u00ed experimenty. Mezi nimi nap\u0159\u00edklad sv\u011btov\u011b zn\u00e1m\u00e1 laterna magika, kterou na bruselsk\u00e9 p\u0159ehl\u00eddce zhl\u00e9dlo v\u00edce ne\u017e 10 000 div\u00e1k\u016f. Dal\u0161\u00edm zaj\u00edmav\u00fdm projektem, kter\u00fd se setkal s velk\u00fdm \u00fasp\u011bchem byl Kinoautomat Rad\u00faze \u010cin\u010dery. Jednalo se o nejv\u011bt\u0161\u00ed l\u00e1kadlo \u010deskoslovensk\u00e9ho pavilonu na\u00a0EXPU 67 v\u00a0Montrealu. T\u0159ikr\u00e1t denn\u011b m\u011bli n\u00e1v\u0161t\u011bvn\u00edci mo\u017enost zhl\u00e9dnout film s n\u00e1zvem \u010clov\u011bk a jeho d\u016fm, ve kter\u00e9m si zahr\u00e1l hlavn\u00ed roli hr\u00e1l Miroslav Horn\u00ed\u010dek. Z\u00e1pletka nebyla nijak zvl\u00e1\u0161\u0165 slo\u017eit\u00e1, zato technick\u00e9 proveden\u00ed bylo opravdu komplikovan\u00e9, div\u00e1ci toti\u017e m\u011bli mo\u017enost pomoc\u00ed speci\u00e1ln\u00edch za\u0159\u00edzen\u00ed hlasovat o dal\u0161\u00edm v\u00fdvoji d\u011bje. N\u00e1v\u0161t\u011bvn\u00edci NGP maj\u00ed mo\u017enost se pod\u00edvat na uk\u00e1zku z tohoto dnes ji\u017e legend\u00e1rn\u00edho kinematografick\u00e9ho po\u010dinu.<\/p>\n\n\n\n

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Hlavn\u00ed n\u00e1dra\u017e\u00ed – Prvn\u00ed vybudovan\u00e1 stanice v s\u00edti pra\u017esk\u00e9ho metra<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Stanice Hlavn\u00ed n\u00e1dra\u017e\u00ed s dobov\u00fdmi turnikety<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Hlavn\u00ed n\u00e1dra\u017e\u00ed<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\u010ceskoslovensk\u00e9 \u00fasp\u011bchy na bruselsk\u00e9m EXPU byly siln\u00fdm impulzem pro m\u00edstn\u00ed design a architekturu. V\u00a060. letech se politick\u00e1 situace uvolnila a do\u0161lo tak k z\u00e1sadn\u00edm prom\u011bn\u00e1m um\u011bleck\u00e9 sc\u00e9ny, kter\u00e9 \u0161ly ruku v\u00a0ruce s\u00a0bruselsk\u00fdm a montrealsk\u00fdm \u00fasp\u011bchem. Z\u00e1v\u011br \u0161edes\u00e1t\u00fdch let a invaze vojsk Var\u0161avsk\u00e9 smlouvy bohu\u017eel uzav\u0159ela nad\u011bjnou dek\u00e1du v pov\u00e1le\u010dn\u00e9 historii \u010deskoslovensk\u00e9ho um\u011bn\u00ed.<\/p>\n\n\n\n

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Kinoautomat<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Expozice se zab\u00fdv\u00e1 tak\u00e9 ikonick\u00fdmi \u010desk\u00fdmi stavbami a projekty, kter\u00e9 vznikly v pov\u00e1le\u010dn\u00e9 \u00e9\u0159e. Jmenujme nap\u0159\u00edklad Novou sc\u00e9nu N\u00e1rodn\u00edho divadla, v\u00fdstavbu prvn\u00ed stanice metra nebo realizaci domu \u010cKD na V\u00e1clavsk\u00e9m n\u00e1m\u011bst\u00ed. Ka\u017ed\u00e9mu v\u00fdznamn\u00e9mu d\u00edlu je v\u011bnov\u00e1n banner, na n\u011bm\u017e jsou vystaveny architektonick\u00e9 pl\u00e1ny, dobov\u00e9 fotografie exteri\u00e9r\u016f i interi\u00e9r\u016f budov, ale i celkov\u00e9 modely, kter\u00e9 n\u00e1m umo\u017e\u0148uj\u00ed si stavbu v\u00edce p\u0159edstavit.<\/p>\n\n\n\n

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Architektonick\u00fd pl\u00e1n budovy Nov\u00e9 sc\u00e9ny N\u00e1rodn\u00edho divadla<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Budova \u010cKD Praha na V\u00e1clavsk\u00e9m n\u00e1m\u011bst\u00ed<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Hlavn\u00ed p\u0159ednost\u00ed t\u00e9to nov\u00e9 st\u00e1le expozice je, \u017ee dok\u00e1\u017ee sezn\u00e1mit turisty s hlavn\u00edmi rysy \u010deskoslovensk\u00e9 architektury minul\u00e9ho stolet\u00ed, ale z\u00e1rove\u0148 je schopna nadchnout i zan\u00edcen\u00e9 fanou\u0161ky architektury, kte\u0159\u00ed \u010deskou kulturu dob\u0159e znaj\u00ed.<\/p>\n\n\n\n

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Architektonick\u00fd pl\u00e1n v\u00fdstavy EXPO 67<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Detail obkladu Nov\u00e9 sc\u00e9ny N\u00e1rodn\u00edho divadla<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

V\u00a0N\u00e1rodn\u00ed galerii ve Veletr\u017en\u00edm pal\u00e1ci je k vid\u011bn\u00ed nov\u00e1 st\u00e1l\u00e1 expozice s n\u00e1zvem Architektura v\u0161em. N\u00e1zev v\u00fdstavy odkazuje na stejnojmennou knihu Karla Honz\u00edka, kter\u00e1 popisuje pov\u00e1le\u010dn\u00fd kulturn\u00ed vzestup \u010ceskoslovenska. Hlavn\u00edm c\u00edlem expozice je p\u0159edstavit div\u00e1k\u016fm v\u0161ech v\u011bkov\u00fdch kategori\u00ed v\u00fdznamn\u00e9 architektonick\u00e9 po\u010diny u n\u00e1s. Architektura v\u0161em se v\u011bnuje EXPU 58 v\u00a0Bruselu, sv\u011btov\u00e9 v\u00fdstav\u011b, kter\u00e1 byla d\u016fle\u017eit\u00fdm […]<\/p>\n","protected":false},"author":23,"featured_media":9108,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[274,109],"tags":[],"class_list":["post-9107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotoreportaz","category-kultura"],"acf":[],"_links":{"self":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/9107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9107"}],"version-history":[{"count":4,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/9107\/revisions"}],"predecessor-version":[{"id":9129,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/9107\/revisions\/9129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/media\/9108"}],"wp:attachment":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}