{"id":9077,"date":"2023-01-20T14:12:02","date_gmt":"2023-01-20T13:12:02","guid":{"rendered":"https:\/\/prahaskolska.200.solutions\/?p=9077"},"modified":"2023-01-20T14:12:04","modified_gmt":"2023-01-20T13:12:04","slug":"v-umeleckoprumyslovem-muzeu-probiha-vystava-rec-plakatu","status":"publish","type":"post","link":"https:\/\/prahaskolska.200.solutions\/?p=9077","title":{"rendered":"V Um\u011bleckopr\u016fmyslov\u00e9m muzeu prob\u00edh\u00e1 v\u00fdstava \u0158e\u010d plak\u00e1tu"},"content":{"rendered":"\n

V Um\u011bleckopr\u016fmyslov\u00e9m muzeu pr\u00e1v\u011b prob\u00edh\u00e1 v\u00fdstava s n\u00e1zvem \u0158e\u010d plak\u00e1tu<\/em>. Jedn\u00e1 se o p\u0159ehl\u00eddku bezm\u00e1la 300 plak\u00e1t\u016f poch\u00e1zej\u00edc\u00edch z muzejn\u00edch sb\u00edrek. Sb\u00edrka UPM, kter\u00e1 dohromady vlastn\u00ed v\u00edce ne\u017e t\u0159icetitis\u00edcovou sb\u00edrku, pat\u0159\u00ed mezi nev\u00fdznamn\u011bj\u0161\u00ed sb\u00edrky sv\u00e9ho druhu v Evrop\u011b. V t\u011bchto dnes m\u00e1te jedine\u010dnou mo\u017enost spat\u0159it fragmenty t\u00e9to rozs\u00e1hl\u00e9 kolekce na vlastn\u00ed o\u010di.<\/strong><\/p>\n\n\n

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Plak\u00e1t byl, je a bezpochyby nad\u00e1le bude d\u016fle\u017eit\u00fdm komunika\u010dn\u00edm m\u00e9diem, jeho\u017e jedine\u010dnost tkv\u00ed v propojujen\u00ed estetiku a komerce. Plak\u00e1t vznik\u00e1 v\u00fdlu\u010dn\u011b na zak\u00e1zku a jeho tv\u016frce je (t\u00e9m\u011b\u0159) v\u017edy v\u00fdrazn\u011b ovlivn\u011bn zadavatelem, jeho specifick\u00fdmi po\u017eadavky a p\u0159edstavami. Zd\u00e1, \u017ee pole um\u011bleck\u00e9 p\u016fsobnosti je v odv\u011btv\u00ed tvorby plak\u00e1t\u016f zna\u010dn\u011b omezen\u00e9 a na prvn\u00ed pohled je tak\u0159ka nemo\u017en\u00e9 se jako um\u011blec v\u00fdrazn\u011bji projevit. P\u0159esto je opak pravdou a \u0158e\u010d plak\u00e1tu je toho d\u016fkazem. Ji\u017e v 19. stolet\u00ed se tvorba plak\u00e1t\u016f pova\u017eovala za um\u011bleckou tvorbu, j\u00ed\u017e se \u010dasto zab\u00fdvali i ti nejzn\u00e1m\u011bj\u0161\u00ed um\u011blci.<\/p>\n\n\n\n

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Na v\u00fdstav\u011b m\u00e1me mo\u017enost vid\u011bt n\u011bkolik d\u011bl od Henri de Toulouse-Lautreca, v\u00fdznamn\u00e9ho francouzsk\u00e9ho mal\u00ed\u0159e. Reklama na Montmartrsk\u00fd z\u00e1bavn\u00ed podnik s n\u00e1zvem Divan Japonais (1892) pat\u0159\u00ed dokonce mezi nejslavn\u011bj\u0161\u00ed kousky z tvorby tohoto um\u011blce se \u0161lechtick\u00fdmi ko\u0159eny v Toulouse. Kabaret se bohu\u017eel musel je\u0161t\u011b t\u00e9ho\u017e roku, kdy Lautrec sv\u016fj plak\u00e1t realizoval, zav\u0159\u00edt. A tak sp\u00ed\u0161e, ne\u017e o pouta\u010d se v tomto p\u0159\u00edpad\u011b jedn\u00e1 o malou vzpom\u00ednku.<\/p>\n\n\n\n


Dal\u0161\u00edm slavn\u00fdm um\u011blcem, jeho\u017e plak\u00e1ty jsou na v\u00fdstav\u011b k vid\u011bn\u00ed, je ikonick\u00fd secesn\u00ed mal\u00ed\u0159 Alfons Mucha. M\u00e1lokdo v\u00ed, \u017ee to byly pr\u00e1v\u011b plak\u00e1ty, kter\u00e9 mu pomohly Muchovi prorazit. Psal se rok 1894, kdy\u017e slavn\u00e1 francouzsk\u00e1 here\u010dka Sarah Bernhardt uvid\u011bla fin\u00e1ln\u00ed podobu plak\u00e1tu k nov\u00e9 h\u0159e s n\u00e1zvem Gismonda, kde m\u011bla ztv\u00e1rnit hlavn\u00ed roli. Volala \u0159editeli Lemercierovy litografick\u00e9 d\u00edlny, kde vznikl p\u016fvodn\u00ed plak\u00e1t, a cht\u011bla okam\u017eit\u011b zcela odli\u0161nou verzi. Vzhledem k tomu, \u017ee byly V\u00e1noce, nem\u011bl \u0159editel po ruce \u017e\u00e1dn\u00e9ho se sv\u00fdch p\u0159edn\u00edch v\u00fdtvarn\u00edk\u016f. Jedin\u00fd, kdo v t\u00e9to chv\u00edli v d\u00edln\u011b tvo\u0159il, byl mlad\u00fd student um\u011bn\u00ed, Alfons Mucha. <\/p>\n\n\n\n

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\u010cesk\u00fd mal\u00ed\u0159 se \u00fakolu ihned ujal. Probl\u00e9m tkv\u011bl v tom, \u017ee m\u011bl jen n\u011bkolik m\u00e1lo dn\u00ed, aby mohl sv\u016fj \u00fakol zrealizovat. Plak\u00e1ty s Gismondou musely viset po cel\u00e9 Pa\u0159\u00ed\u017ei ji\u017e na Nov\u00fd rok. Nicm\u00e9n\u011b si Mucha se zak\u00e1zkou skv\u011ble poradil, zvolil netradi\u010dn\u00ed form\u00e1t. Na \u0161\u00ed\u0159ku plak\u00e1t m\u011b\u0159il t\u0159i \u010dtvrt\u011b metru, dlouh\u00fd byl v\u00edce ne\u017e dva metry. Here\u010dka byla nad\u0161ena a za\u010dala t\u00edm dlouhodob\u00e1 spolupr\u00e1ce Muchy a Berhardt, kterou prov\u00e1zel tento dnes ji\u017e legend\u00e1rn\u00ed rozm\u011br plak\u00e1t\u016f.<\/p>\n\n\n\n


Plak\u00e1ty n\u00e1m mohou vykl\u00e1dat dlouh\u00e9 p\u0159\u00edb\u011bhy, leccos je z nich mo\u017en\u00e9 vy\u010d\u00edst o dob\u011b, ve kter\u00e9 vznikly. M\u016f\u017eeme odhadnout, jak\u00e9 byly priority spole\u010dnosti, nebo co st\u00e1lo nev\u00fd\u0161e na \u017eeb\u0159\u00ed\u010dku tehdej\u0161\u00edch hodnot. Plak\u00e1t toti\u017e nemus\u00ed nutn\u011b b\u00fdt jen bezduch\u00fd pouta\u010d. A o tom v\u0161em je v\u00fdstava \u0158e\u010d plak\u00e1tu<\/em>. V\u00fdstavu je mo\u017en\u00e9 nav\u0161t\u00edvit do 4. dubna leto\u0161n\u00edho roku. Studentsk\u00e9 vstupn\u00e9 je 80 k\u010d, studenti v\u0161ech um\u011bleck\u00fdch \u0161kol maj\u00ed vstup zdarma.<\/p>\n\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

V Um\u011bleckopr\u016fmyslov\u00e9m muzeu pr\u00e1v\u011b prob\u00edh\u00e1 v\u00fdstava s n\u00e1zvem \u0158e\u010d plak\u00e1tu. Jedn\u00e1 se o p\u0159ehl\u00eddku bezm\u00e1la 300 plak\u00e1t\u016f poch\u00e1zej\u00edc\u00edch z muzejn\u00edch sb\u00edrek. Sb\u00edrka UPM, kter\u00e1 dohromady vlastn\u00ed v\u00edce ne\u017e t\u0159icetitis\u00edcovou sb\u00edrku, pat\u0159\u00ed mezi nev\u00fdznamn\u011bj\u0161\u00ed sb\u00edrky sv\u00e9ho druhu v Evrop\u011b. V t\u011bchto dnes m\u00e1te jedine\u010dnou mo\u017enost spat\u0159it fragmenty t\u00e9to rozs\u00e1hl\u00e9 kolekce na vlastn\u00ed o\u010di. Plak\u00e1t byl, je […]<\/p>\n","protected":false},"author":23,"featured_media":9082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[274,62,109],"tags":[],"class_list":["post-9077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotoreportaz","category-historie","category-kultura"],"acf":[],"_links":{"self":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/9077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9077"}],"version-history":[{"count":2,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/9077\/revisions"}],"predecessor-version":[{"id":9089,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/9077\/revisions\/9089"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/media\/9082"}],"wp:attachment":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}