{"id":14516,"date":"2023-11-28T12:52:35","date_gmt":"2023-11-28T11:52:35","guid":{"rendered":"https:\/\/prahaskolska.200.solutions\/?p=14516"},"modified":"2023-11-28T12:52:37","modified_gmt":"2023-11-28T11:52:37","slug":"pul-stoleti-kolazi-prehledova-vystava-jiriho-kovandy-v-galerii-smecky","status":"publish","type":"post","link":"https:\/\/prahaskolska.200.solutions\/?p=14516","title":{"rendered":"P\u016fl stolet\u00ed kol\u00e1\u017e\u00ed: P\u0159ehledov\u00e1 v\u00fdstava Ji\u0159\u00edho Kovandy v Galerii Sme\u010dky"},"content":{"rendered":"\n

Ji\u0159\u00ed Kovanda je \u010desk\u00fd um\u011blec, kter\u00fd pat\u0159\u00ed k na\u0161im nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edm autor\u016fm na zahrani\u010dn\u00ed um\u011bleck\u00e9 sc\u00e9n\u011b. Jeho d\u00edla jsou<\/strong> velmi \u017e\u00e1d\u00e1na i na trhu s um\u011bn\u00edm<\/strong>, m\u016f\u017eeme naj\u00edt jak v \u010desk\u00fdch sb\u00edrk\u00e1ch (N\u00e1rodn\u00ed Galerie Praha, Al\u0161ova jiho\u010desk\u00e1 galerie, Moravsk\u00e1 galerie v Brn\u011b), tak i ve sb\u00edrk\u00e1ch zahrani\u010dn\u00edch (Tate Modern, Centre Pompidou, V\u00edde\u0148sk\u00e9 Kunsthalle). Nejv\u00edce je Kovanda zn\u00e1m\u00fd jako autor objekt\u016f a performer. Auto\u0159i v\u00fdstavy, kter\u00e1 je aktu\u00e1ln\u011b vid\u011bn\u00ed v Galerii Sme\u010dky, se v\u0161ak zam\u011b\u0159ili na zaj\u00edmav\u00fd, ve sv\u011bt\u011b m\u00e9n\u011b zn\u00e1m\u00fd segment\u00a0 jeho tvorby \u2013kol\u00e1\u017e.<\/strong><\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Ji\u0159\u00ed Kovanda p\u0159i\u010dichnul k um\u011bn\u00ed ji\u017e v 15 letech, tehdy za\u010d\u00ednal abstraktn\u00ed kresbou, nedlouho pot\u00e9 p\u0159i\u0161ly i prvn\u00ed zku\u0161enosti s kol\u00e1\u017e\u00ed. Technika kol\u00e1\u017ee se m\u016f\u017ee na prvn\u00ed pohled zd\u00e1t pon\u011bkud jednoduch\u00e1, ob\u010das n\u00e1m p\u0159ipad\u00e1, \u017ee to \u201ep\u0159ece zvl\u00e1dne ka\u017ed\u00fd\u201c. Opak je pravdou, tvorba kol\u00e1\u017ee vy\u017eaduje trp\u011blivost, vyt\u0159\u00edben\u00fd humor, p\u0159ehled, kreativitu a v neposledn\u00ed \u0159ad\u011b i smysl pro estetiku. Kovanda na v\u00fdstav\u011b dokazuje, \u017ee v\u0161echny zm\u00edn\u011bn\u00e9 aspekty spl\u0148uje.<\/p>\n\n\n\n

Kovanda p\u0159itom posouv\u00e1 hranice kol\u00e1\u017ee, nez\u016fst\u00e1v\u00e1 jen u n\u016f\u017eek, lepidla a pap\u00edru. V r\u00e1mci sv\u00e9 tvorby pracuje se d\u0159evem, textilem, mincemi, odzn\u00e1\u010dky a dal\u0161\u00edmi p\u0159edm\u011bty, o kter\u00fdch by v\u00e1s nenapadlo, \u017ee mohou b\u00fdt sou\u010d\u00e1st\u00ed kol\u00e1\u017ee. Div\u00e1ci zajist\u00e9 ocen\u00ed i pestrost adjustac\u00ed.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Jeho nejv\u011bt\u0161\u00ed a tak\u00e9 nejv\u00fdrazn\u011bj\u0161\u00ed kol\u00e1\u017e je d\u00edlo z roku 1986, v n\u00ed\u017e pracuje s motivem, kter\u00fd byl p\u016fvodn\u011b na lo\u017en\u00edm pr\u00e1dle, vybral z n\u011bj segmenty s lod\u011bmi a exotickou t\u00e9matiku dopl\u0148uje rtu\u0165ov\u00fdm teplom\u011brem.\u00a0<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Vzhledem k tomu, \u017ee Kovanda nikdy s tvorbou kol\u00e1\u017e\u00ed nep\u0159estal, m\u016f\u017eeme skrz jeho tvorbu v tomto odv\u011btv\u00ed kr\u00e1sn\u011b pozorovat jeho um\u011bleck\u00fd v\u00fdvoj. V sedmdes\u00e1t\u00fdch letech se odrazil od klasick\u00fdch kol\u00e1\u017e\u00ed s dadaistick\u00fdm n\u00e1dechem, p\u0159e\u0161el p\u0159es pr\u00e1ci s textiliemi, nebo d\u0159evem, a\u017e dosp\u011bl do sou\u010dasn\u00e9 f\u00e1ze, kdy jsou jeho kol\u00e1\u017ee tvo\u0159eny zejm\u00e9na trojrozm\u011brn\u00fdmi prvky. I p\u0159esto je ale um\u011blec op\u011bt \u201ezamyk\u00e1\u201c do sofistikovan\u00fdch adjustac\u00ed.\u00a0<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

V\u00fdstavu Ji\u0159\u00edho Kovandy je mo\u017en\u00e9 nav\u0161t\u00edvit do p\u00e1tku 15. prosince, vstupn\u00e9 \u010din\u00ed 50 korun, pro studenty, d\u011bti a seniory je zdarma. Podrobnosti ohledn\u011b otev\u00edrac\u00ed doby naleznete na webov\u00fdch str\u00e1nk\u00e1ch Galerie Sme\u010dky.\u00a0<\/a><\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Ji\u0159\u00ed Kovanda je \u010desk\u00fd um\u011blec, kter\u00fd pat\u0159\u00ed k na\u0161im nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edm autor\u016fm na zahrani\u010dn\u00ed um\u011bleck\u00e9 sc\u00e9n\u011b. Jeho d\u00edla jsou velmi \u017e\u00e1d\u00e1na i na trhu s um\u011bn\u00edm, m\u016f\u017eeme naj\u00edt jak v \u010desk\u00fdch sb\u00edrk\u00e1ch (N\u00e1rodn\u00ed Galerie Praha, Al\u0161ova jiho\u010desk\u00e1 galerie, Moravsk\u00e1 galerie v Brn\u011b), tak i ve sb\u00edrk\u00e1ch zahrani\u010dn\u00edch (Tate Modern, Centre Pompidou, V\u00edde\u0148sk\u00e9 Kunsthalle). Nejv\u00edce je Kovanda […]<\/p>\n","protected":false},"author":23,"featured_media":14520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[29,109,42,43,41],"tags":[],"class_list":["post-14516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-akce","category-kultura","category-pro-pedagogy","category-pro-studenty","category-pro-verejnost"],"acf":[],"_links":{"self":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/14516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14516"}],"version-history":[{"count":2,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/14516\/revisions"}],"predecessor-version":[{"id":14532,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/14516\/revisions\/14532"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/media\/14520"}],"wp:attachment":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}