{"id":12281,"date":"2023-07-22T12:38:03","date_gmt":"2023-07-22T10:38:03","guid":{"rendered":"https:\/\/prahaskolska.200.solutions\/?p=12281"},"modified":"2023-07-22T12:38:04","modified_gmt":"2023-07-22T10:38:04","slug":"was-ist-kunst-kontroverzni-neo-avantgardni-umelec-vystavuje-v-dome-u-kamenneho-zvonu","status":"publish","type":"post","link":"https:\/\/prahaskolska.200.solutions\/?p=12281","title":{"rendered":"Was ist kunst? Kontroverzn\u00ed neo-avantgardn\u00ed um\u011blec vystavuje v Dom\u011b U Kamenn\u00e9ho zvonu"},"content":{"rendered":"\n

V\u00a0Dom\u011b U Kamenn\u00e9ho zvonu se kon\u00e1 v\u00fdstava provokativn\u00edho srbsk\u00e9ho um\u011blce Dragoljuba Ra\u0161y Todosijevi\u0107e. Todosijevi\u0107 pat\u0159il k\u00a0prvn\u00ed generaci um\u011blc\u016f, kte\u0159\u00ed se postavili proti p\u0159evl\u00e1daj\u00edc\u00edmu um\u011bleck\u00e9mu proudu, kter\u00fd se rozv\u00edjel na tam\u011bj\u0161\u00edch akademi\u00edch. Stal se jednou ze zakl\u00e1daj\u00edc\u00edch osob jugosl\u00e1vsk\u00e9 neo-avantgardy. Todosijevi\u0107 se ani pozd\u011bji nevzdal rozporupln\u00fdch t\u00e9mat, jak\u00fdm bylo t\u0159eba reinterpretov\u00e1n\u00ed kontroverzn\u00edch symbol\u016f, nap\u0159\u00edklad svastiky.<\/strong><\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

I kdy\u017e to tak m\u016f\u017ee na prvn\u00ed pohled vypadat, nejedn\u00e1 se o klasickou retrospektivn\u00ed v\u00fdstavu. Kur\u00e1to\u0159i se nesna\u017e\u00ed zachytit jednotliv\u00e9 chronologick\u00e9 kapitoly Todosijevi\u0107ovy tvorby, sp\u00ed\u0161e se sna\u017e\u00ed mapovat strategie a taktiky v\u00a0jeho d\u00edlech. N\u011bkter\u00e9 vypravuj\u00ed d\u011bjiny um\u011bn\u00ed, jin\u00e9 sumarizuj\u00ed odkazy d\u011bjin obecn\u00fdch, n\u011bkter\u00e9 koncepce jsou st\u00e1le ,,\u017eiv\u00e9\u201d a nal\u00e9hav\u00e9 pro dne\u0161n\u00ed sv\u011bt.\u00a0<\/p>\n\n\n\n

Za\u010d\u00e1tek expozice r\u00e1muje Todosijevi\u0107ovu \u201cobl\u00edbenou\u201d ot\u00e1zku – co m\u016f\u017eeme pova\u017eovat za um\u011bleck\u00e9 d\u00edlo? Podobn\u011b jako jin\u00ed um\u011blci,\u00a0i on si nastavil svoje vlastn\u00ed jedine\u010dn\u00e9 hranice a podm\u00ednky. Jde dokonce tak daleko, \u017ee v\u00a0jedn\u00e9 ze sv\u00fdch performance (Drinking water, 1974) tvrd\u00ed, \u017ee um\u011bn\u00ed je ot\u00e1zkou rozhodnut\u00ed a tv\u016fr\u010d\u00edm impulzem m\u016f\u017ee b\u00fdt cokoliv.\u00a0<\/p>\n\n\n\n

\"\"
V performance s n\u00e1zvem Drinking water do\u0161el tak daleko, \u017ee tvrd\u00ed, \u017ee um\u011bn\u00ed je ot\u00e1zka rozhodnut\u00ed se<\/sup><\/figcaption><\/figure>\n\n\n\n

Z\u00e1v\u011br v\u00fdstavy se vrac\u00ed k\u00a0monument\u00e1ln\u00ed instalaci s\u00a0n\u00e1zvem Gott liebt die Serben (B\u016fh miluje Srby), jej\u00edm\u017e prim\u00e1rn\u00edm n\u00e1m\u011btem byly mo\u017enosti, jak p\u0159istupovat a \u010d\u00edst jednotliv\u00e9 symboly. Ji\u017e v\u00a0minulosti se v\u00fdznamy n\u011bkter\u00fdch symbol\u016f ust\u00e1lily, nicm\u00e9n\u011b v\u00a0dne\u0161n\u00ed dob\u011b se rozpou\u0161t\u011bj\u00ed, ztr\u00e1cej\u00ed pevn\u00e9 obrysy a dost\u00e1vaj\u00ed zcela nov\u00fd tvar.\u00a0<\/p>\n\n\n\n

\"\"
Instalace s\u00a0n\u00e1zvem Gott liebt die Serben (B\u016fh miluje Srby)<\/sup><\/figcaption><\/figure>\n\n\n\n

Galerie hlavn\u00edho m\u011bsta Prahy p\u0159ipravila ji\u017e tradi\u010dn\u011b velmi kvalitn\u00ed, nabit\u00fd doprovodn\u00fd program. Nab\u00edz\u00ed dv\u011b komentovan\u00e9 prohl\u00eddky s\u00a0kur\u00e1torem v\u00fdstavy Jakubem Kr\u00e1lem. Jedna se kon\u00e1 ve \u010dtvrtek 27. \u010dervence od 18 hodin, druh\u00e1 se bude konat 6. z\u00e1\u0159\u00ed, op\u011bt ve \u010dtvrtek, od 18 hodin.\u00a0<\/p>\n\n\n\n

D\u00e1le se uskute\u010dn\u00ed proch\u00e1zka ak\u010dn\u00ed Prahou v\u00a0okol\u00ed Starom\u011bstsk\u00e9ho n\u00e1m\u011bst\u00ed. N\u00e1v\u0161t\u011bvn\u00edky provede kur\u00e1torka a histori\u010dka um\u011bn\u00ed Pavl\u00edna Morganov\u00e1, kter\u00e1 je odbornic\u00ed na performance a happeningy, kter\u00e9 jsou Todosijevi\u0107ovi tak bl\u00edzk\u00e9. Proch\u00e1zka je napl\u00e1nov\u00e1na na 30. srpna od 17 hodin.<\/p>\n\n\n\n

\n
\"\"
Srbopomeran\u010de<\/sup><\/figcaption><\/figure>\n\n\n\n
\"\"
Sou\u010dasn\u00fd portr\u00e9t D. R. Todosijevi\u0107e<\/sup><\/figcaption><\/figure>\n<\/div>\n\n\n\n

Nenechte si uj\u00edt tak\u00e9 p\u0159edn\u00e1\u0161ku hudebn\u00edho publicisty a\u00a0spisovatele Karla Vesel\u00e9ho. Ten se bude zab\u00fdvat t\u00e9matem symbolu totalitn\u00edch re\u017eim\u016f v\u00a0popul\u00e1rn\u00ed hudb\u011b. Pro\u010d pr\u00e1v\u011b zmi\u0148ovan\u00e1 svastika hraje tak velkou roli v\u00a0punkov\u00e9 m\u00f3d\u011b? Kde se vlastn\u011b bere fascinace symboly totalitn\u00edch re\u017eim\u016f a jak daleko jsou um\u011blci od p\u0159ekro\u010den\u00ed mor\u00e1ln\u00edch hranic? P\u0159edn\u00e1\u0161ka prob\u011bhne 13. z\u00e1\u0159\u00ed v\u00a018 hodin.\u00a0<\/p>\n\n\n

\n
\"\"
K\u0159i\u0161\u0165\u00e1lov\u00e1 noc, 1997<\/sup><\/figcaption><\/figure><\/div>\n\n\n

Samotn\u00e1 v\u00fdstava potrv\u00e1 do 17. z\u00e1\u0159\u00ed leto\u0161n\u00edho roku. Vid\u011bt ji m\u016f\u017eete ve zmi\u0148ovan\u00e9m\u00a0Dom\u011b U Kamenn\u00e9ho zvonu na Starom\u011bstsk\u00e9m n\u00e1m\u011bst\u00ed. Otev\u0159eno je ka\u017ed\u00fd den s\u00a0v\u00fdjimkou pond\u011bl\u00ed, a to od 10 do 20 hodin.\u00a0<\/p>\n\n\n\n

Zdroj fotografi\u00ed: GHMP<\/sup><\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00a0Dom\u011b U Kamenn\u00e9ho zvonu se kon\u00e1 v\u00fdstava provokativn\u00edho srbsk\u00e9ho um\u011blce Dragoljuba Ra\u0161y Todosijevi\u0107e. Todosijevi\u0107 pat\u0159il k\u00a0prvn\u00ed generaci um\u011blc\u016f, kte\u0159\u00ed se postavili proti p\u0159evl\u00e1daj\u00edc\u00edmu um\u011bleck\u00e9mu proudu, kter\u00fd se rozv\u00edjel na tam\u011bj\u0161\u00edch akademi\u00edch. Stal se jednou ze zakl\u00e1daj\u00edc\u00edch osob jugosl\u00e1vsk\u00e9 neo-avantgardy. Todosijevi\u0107 se ani pozd\u011bji nevzdal rozporupln\u00fdch t\u00e9mat, jak\u00fdm bylo t\u0159eba reinterpretov\u00e1n\u00ed kontroverzn\u00edch symbol\u016f, nap\u0159\u00edklad svastiky. I […]<\/p>\n","protected":false},"author":23,"featured_media":12284,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[109],"tags":[],"class_list":["post-12281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura"],"acf":[],"_links":{"self":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12281"}],"version-history":[{"count":5,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12281\/revisions"}],"predecessor-version":[{"id":12311,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12281\/revisions\/12311"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/media\/12284"}],"wp:attachment":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}