{"id":12247,"date":"2023-07-22T12:20:08","date_gmt":"2023-07-22T10:20:08","guid":{"rendered":"https:\/\/prahaskolska.200.solutions\/?p=12247"},"modified":"2023-07-22T20:24:05","modified_gmt":"2023-07-22T18:24:05","slug":"rozhovor-hlavni-uskali-nataceni-studentskeho-filmu-je-ze-vas-nikdo-nezna-penize-na-film-si-shanim-sam-rika-lukas-vokoun","status":"publish","type":"post","link":"https:\/\/prahaskolska.200.solutions\/?p=12247","title":{"rendered":"ROZHOVOR: Hlavn\u00ed \u00faskal\u00ed nat\u00e1\u010den\u00ed studentsk\u00e9ho filmu je, \u017ee v\u00e1s nikdo nezn\u00e1. Pen\u00edze na film si sh\u00e1n\u00edm s\u00e1m, \u0159\u00edk\u00e1 Luk\u00e1\u0161 Vokoun"},"content":{"rendered":"\n

Luk\u00e1\u0161 Vokoun je studentem magistersk\u00e9ho programu Audiovizu\u00e1ln\u00ed tvorba na V\u0160KK. P\u0159\u00ed\u0161t\u00ed rok jde k\u00a0obhajob\u011b magistersk\u00e9 pr\u00e1ce. Jeliko\u017e se jedn\u00e1 o um\u011bleck\u00fd obor, \u0161kola mu umo\u017e\u0148uje zakon\u010dit studium praktick\u00fdm v\u00fdstupem. Rozhodl se proto nato\u010dit kr\u00e1tkometr\u00e1\u017en\u00ed film. O jak\u00fd film se jedn\u00e1 a jak v\u016fbec takov\u00e9 studentsk\u00e9 nat\u00e1\u010den\u00ed prob\u00edh\u00e1 sd\u011blil v\u00a0rozhovoru pro Prahu \u0160kolskou.<\/strong><\/p>\n\n\n\n

Autor se pod\u00edl\u00ed na tvorb\u011b zm\u00edn\u011bn\u00e9ho filmu a s respondentem se zn\u00e1 osob\u011b.<\/p>\n\n\n\n

O \u010dem m\u00e1 b\u00fdt tv\u016fj magistersk\u00fd film?<\/strong><\/p>\n\n\n\n

Nat\u00e1\u010d\u00edm kr\u00e1tkometr\u00e1\u017en\u00ed hororov\u00fd film Vodn\u00edk na motivy stejnojmenn\u00e9 b\u00e1sn\u011b od Karla Jarom\u00edra Erbena. Ten p\u0159\u00edb\u011bh modifikuji a posouv\u00e1m ho do sou\u010dasnosti. Zam\u011b\u0159uji se sp\u00ed\u0161 na hororovou ne\u017e na poetickou strukturu t\u00e9 b\u00e1sn\u011b. P\u0159\u00edb\u011bh je podle standardn\u00edho hororov\u00e9ho sch\u00e9matu. D\u00edvka s p\u0159\u00e1teli p\u0159ij\u00ed\u017ed\u00ed na starou, opu\u0161t\u011bnou chatu k jezeru, kterou zd\u011bdila po sv\u00e9 prababi\u010dce. Tam za\u010dne odkr\u00fdvat z\u00e1hady minulosti jej\u00ed rodiny a j\u00ed samotn\u00e9, a tak\u00e9 tajemstv\u00ed jezera, kter\u00e9 ob\u00fdv\u00e1 z\u00e1hadn\u00e1 prad\u00e1vn\u00e1 bytost, kter\u00e1 tyto dva p\u0159\u00edb\u011bhy, tedy Erben\u016fv a m\u016fj, spojuje.<\/p>\n\n\n\n

\u010c\u00edm t\u011b zrovna tato pov\u00eddka zaujala?<\/strong><\/p>\n\n\n\n

J\u00e1 jsem milovn\u00edk poezie. M\u00e1m opravdu r\u00e1d ver\u0161ovan\u00e9 vypr\u00e1v\u011bn\u00ed epick\u00fdch p\u0159\u00edb\u011bh\u016f. Stejn\u011b tak jsem i fanou\u0161ek hororov\u00e9ho \u017e\u00e1nru. Kdy\u017e tohle zkombinuji dohromady, tak si mysl\u00edm, \u017ee zrovna Erben to dokonale vystihuje. Nez\u00e1visle na Erbenovi jsem si tak\u00e9 ji\u017e d\u0159\u00edv cht\u011bl hr\u00e1t s poh\u00e1dkov\u00fdmi bytostmi, kter\u00e9 bych p\u0159evedl do hororov\u00e9ho \u017e\u00e1nru, co\u017e p\u0159esn\u011b Erben ve Vodn\u00edkovi d\u011bl\u00e1.<\/p>\n\n\n\n

Nab\u00edzela se ti v\u00edcem\u00e9n\u011b cel\u00e1 sb\u00edrka Kytice, pro\u010d zrovna Vodn\u00edk?<\/strong><\/p>\n\n\n\n

J\u00e1 jsem docela romantick\u00fd typ. P\u0159\u00edb\u011bhy o l\u00e1sce mi jsou velmi bl\u00edzk\u00e9. Kdy\u017e je ta l\u00e1ska ne\u0161\u0165astn\u00e1, tak to ve mn\u011b evokuje ur\u010dit\u00e9 porozum\u011bn\u00ed, n\u011bkdy a\u017e soucit. T\u00edm ne\u0159\u00edk\u00e1m, \u017ee Vodn\u00edka ve sv\u00e9m p\u0159\u00edb\u011bhu glorifikuji, jen chci jeho p\u0159\u00edb\u011bh uk\u00e1zat z jin\u00e9 strany.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Plak\u00e1t pro film VODN\u00cdK, autorka: Barbora Pol\u00e1kov\u00e1<\/p>\n\n\n\n

Co m\u016f\u017ee\u0161 Erbenovo p\u0159\u00edb\u011bhu nab\u00eddnout?<\/strong><\/p>\n\n\n\n

J\u00e1 si nemysl\u00edm, \u017ee nab\u00edz\u00edm jeho p\u0159\u00edb\u011bhu nadstavbu, sp\u00ed\u0161 bych byl r\u00e1d, kdybych se mu mohl alespo\u0148 lehce vyrovnat. Je to moje parafr\u00e1ze p\u016fvodn\u00edho p\u0159\u00edb\u011bhu. Nemysl\u00edm si, \u017ee to, co jsem si z Erbenovy b\u00e1sn\u011b vzal j\u00e1, si vzal i n\u011bkdo jin\u00fd. J\u00e1 ho ve sv\u00e9m p\u0159\u00edb\u011bhu dost polid\u0161\u0165uji. To jedin\u00e9, co tedy m\u016f\u017eu nab\u00eddnout, je m\u016fj pohled, kter\u00fd ale nen\u00ed o nic pravdiv\u011bj\u0161\u00ed ne\u017e pohled kohokoliv jin\u00e9ho.<\/p>\n\n\n\n

Co v\u0161echno, od za\u010d\u00e1tku do konce, obn\u00e1\u0161\u00ed nat\u00e1\u010den\u00ed studentsk\u00e9ho filmu?<\/strong><\/p>\n\n\n\n

Jako prvn\u00ed je u ka\u017ed\u00e9ho filmu d\u016fle\u017eit\u00fd n\u00e1m\u011bt, tedy co chci to\u010dit a pro\u010d to chci to\u010dit. Na \u0161kolsk\u00e9 p\u016fd\u011b m\u00e1m v\u00fdhodu, \u017ee to je s k\u00fdm konzultovat. U\u010ditel, p\u0159\u00edpadn\u011b garant, mi m\u016f\u017ee vysv\u011btlit \u00faskal\u00ed, nebo mi nab\u00eddne odbornou konzultaci a podobn\u011b. Potom, co si re\u017eis\u00e9r vybere n\u00e1m\u011bt, nabaluj\u00ed se na to dal\u0161\u00ed v\u011bci, jako je sestava \u0161t\u00e1bu, psan\u00ed sc\u00e9n\u00e1\u0159e, sh\u00e1n\u011bn\u00ed herc\u016f, fundraising, lokace\u2026 P\u0159\u00edprava je na tom v\u0161em asi nejn\u00e1ro\u010dn\u011bj\u0161\u00ed, konzultace se \u0161t\u00e1bem a se \u0161kolou jsou t\u00e9m\u011b\u0159 na denn\u00ed b\u00e1zi, zvl\u00e1\u0161\u0165 pokud si vyberete n\u00e1ro\u010dn\u00fd projekt, jako je Vodn\u00edk. U studentsk\u00e9ho filmu je v t\u00e9 p\u0159edprodukci velk\u00fd probl\u00e9m v tom, \u017ee jeliko\u017e v\u00e1s nikdo nezn\u00e1 a ani nem\u00e1te k dispozici moc pen\u011bz, m\u00e1te velmi sv\u00e1zan\u00e9 ruce, co se t\u00fd\u010de v\u00fdb\u011bru. Pokud chcete dobr\u00e9 herce, mus\u00edte jim nab\u00eddnout alespo\u0148 n\u011bjak\u00e9 pen\u00edze, stejn\u011b tak je to u lokac\u00ed. M\u00edt n\u011bjak\u00e9 z\u00e1klady toho, jak se d\u011bl\u00e1 fundraising, nebo zn\u00e1t n\u011bkoho, kdo se v tom vyzn\u00e1, je velk\u00e1 v\u00fdhoda.<\/p>\n\n\n\n

To je tedy ta prvn\u00ed f\u00e1ze, p\u0159edprodukce, jak prob\u00edh\u00e1 samotn\u00e9 nat\u00e1\u010den\u00ed?<\/strong><\/p>\n\n\n\n

To b\u00fdv\u00e1 v\u011bt\u0161inou paradoxn\u011b nejm\u00ed\u0148 probl\u00e9mov\u00e1 \u010d\u00e1st. Probl\u00e9m, na kter\u00fd v\u0161ak zejm\u00e9na mlad\u00ed re\u017eis\u00e9\u0159i nar\u00e1\u017eej\u00ed, je ten, \u017ee si neuv\u011bdomuj\u00ed, jak dlouho n\u011bkter\u00e9 v\u011bci trvaj\u00ed. Dost \u010dasto se nap\u0159\u00edklad jedou p\u0159es\u010dasy, proto\u017ee na pap\u00ed\u0159e ta sc\u00e9na v\u017edycky vypad\u00e1 m\u00e9n\u011b n\u00e1ro\u010dn\u00e1, ne\u017e doopravdy je. Je proto d\u016fle\u017eit\u00e9 m\u00edt v nat\u00e1\u010dec\u00edm pl\u00e1nu co nejv\u00edc \u010dasov\u00fdch rezerv. U Vodn\u00edka po\u010d\u00edt\u00e1m nap\u0159\u00edklad se t\u0159emi hodinami na sc\u00e9nu, s t\u00edm \u017ee v\u00edm, \u017ee n\u011bkter\u00e9 zaberou jen hodinu, ale n\u011bkter\u00e9 n\u00e1ro\u010dn\u011bj\u0161\u00ed mohou zabrat i \u010dty\u0159i hodiny. Na nat\u00e1\u010den\u00ed mus\u00ed v\u0161ichni \u010dlenov\u00e9 \u0161t\u00e1bu fungovat na sto procent, proto\u017ee pokud z toho soukol\u00ed jedin\u00fd \u010dlov\u011bk d\u011bl\u00e1 svou pr\u00e1ci nedostate\u010dn\u011b, zdr\u017e\u00ed to cel\u00fd \u0161t\u00e1b.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Nat\u00e1\u010den\u00ed promo videa pro sn\u00edmek VODN\u00cdK, autorka: Leila Hamdanov\u00e1<\/p>\n\n\n\n

A nakonec, co v\u0161echno se tedy mus\u00ed d\u011blat v postprodukci?<\/strong><\/p>\n\n\n\n

Te\u010f m\u00e1me hodiny materi\u00e1lu. Je pot\u0159eba je nap\u0159ed ut\u0159\u00eddit. To znamen\u00e1 vybrat takov\u00e9 z\u00e1b\u011bry, kter\u00e9 se mi l\u00edb\u00ed nejv\u00edc. Potom, co je vyberu, m\u00e1m tzv. hrub\u00fd st\u0159ih. Potom je pot\u0159eba vybrat jednotliv\u00e9 \u00fahly kamery, ze kter\u00fdch se dan\u00fd z\u00e1b\u011br to\u010dil tak, aby m\u011bl obraz dynamiku. Kdy\u017e je tohle hotov\u00e9, \u0159e\u0161\u00edme zvuk. Nap\u0159ed nahazujeme hudbu. Potom se dod\u011blaj\u00ed ostatn\u00ed zvuky, tzv. atmosf\u00e9ry, co\u017e jsou zvuky prost\u0159ed\u00ed, nap\u0159\u00edklad prask\u00e1n\u00ed krbu, zvuk krok\u016f, spl\u00e1chnut\u00ed z\u00e1chodu a podobn\u011b. Potom m\u016f\u017eeme k\u00a0fin\u00e1ln\u00edm \u00faprav\u00e1m, co\u017e je barven\u00ed, kter\u00e9 p\u0159id\u00e1v\u00e1 ka\u017ed\u00e9mu z\u00e1b\u011bru po\u017eadovanou vizu\u00e1ln\u00ed atmosf\u00e9ru. A nakonec vyb\u00edr\u00e1me loot mode, co\u017e je celkov\u00e1 obrazov\u00e1 atmosf\u00e9ra filmu, aby potom, co jsme si nastavili barevnost ka\u017ed\u00e9ho z\u00e1b\u011bru jinak, se to ucelilo do podobn\u00e9ho vizu\u00e1ln\u00edho sch\u00e9matu. Potom u\u017e jdou na \u0159adu titulky a film m\u016f\u017ee j\u00edt ven. To v\u00a0m\u00e9m p\u0159\u00edpad\u011b znamen\u00e1 ho \u00fasp\u011b\u0161n\u011b obh\u00e1jit u st\u00e1tnic, p\u0159\u00edpadn\u011b oslovit r\u016fzn\u00e9 festivaly, kde by se mohl prom\u00edtat.<\/p>\n\n\n\n

Jak t\u011b p\u0159i nat\u00e1\u010den\u00ed magistersk\u00e9ho filmu podporuje \u0161kola?<\/strong><\/p>\n\n\n\n

J\u00e1 krom\u011b Vysok\u00e9 \u0161koly kreativn\u00ed komunikace, kde studuji magistra, vyu\u017e\u00edv\u00e1m tak\u00e9 podporu Akademie Michael, kde jsem dokon\u010dil vy\u0161\u0161\u00ed odborn\u00e9 vzd\u011bl\u00e1n\u00ed. Ty \u0161koly maj\u00ed stejn\u00e9ho majitele, tak\u017ee jsou v takov\u00fdch projektech za jedno. Je ale d\u016fle\u017eit\u00e9 \u0159\u00edct, \u017ee moment\u00e1ln\u011b nestuduji vylo\u017een\u011b filmov\u00fd obor, ale audiovizu\u00e1ln\u00ed tvorbu. Proto jsem velice r\u00e1d, \u017ee mi \u0161kola v\u016fbec dovolila tento projekt vytvo\u0159it. Podporu m\u00e1m zejm\u00e9na v odborn\u00e9 konzultaci, ale tak\u00e9 nap\u0159\u00edklad s technikou na nat\u00e1\u010den\u00ed, kterou mi pr\u00e1v\u011b Akademie Michael zap\u016fj\u010dila. Co se ale nap\u0159\u00edklad financ\u00ed t\u00fd\u010de, tak tam to zat\u00edm bohu\u017eel moc nad\u011bjn\u011b nevypad\u00e1, proto je sh\u00e1n\u00edm skrze jin\u00e9 kan\u00e1ly, jako nap\u0159\u00edklad crowdfundingovou kampa\u0148 na Hit-Hitu. Z\u00e1rove\u0148 m\u011b ale \u0161kola, respektive \u0161koly, nep\u0159\u00edmo podpo\u0159ily t\u00edm, \u017ee jsem si za \u010das studia mezi spolu\u017e\u00e1ky na\u0161el spoustu \u0161ikovn\u00fdch mlad\u00fdch lid\u00ed, kter\u00e9 te\u010f mohu vyu\u017e\u00edt jako \u010dleny \u0161t\u00e1bu.<\/p>\n\n\n\n

Autorka n\u00e1hledov\u00e9 fotografie: Anna-Marie K\u0159\u00ed\u017eov\u00e1<\/p>\n","protected":false},"excerpt":{"rendered":"

Luk\u00e1\u0161 Vokoun je studentem magistersk\u00e9ho programu Audiovizu\u00e1ln\u00ed tvorba na V\u0160KK. P\u0159\u00ed\u0161t\u00ed rok jde k\u00a0obhajob\u011b magistersk\u00e9 pr\u00e1ce. Jeliko\u017e se jedn\u00e1 o um\u011bleck\u00fd obor, \u0161kola mu umo\u017e\u0148uje zakon\u010dit studium praktick\u00fdm v\u00fdstupem. Rozhodl se proto nato\u010dit kr\u00e1tkometr\u00e1\u017en\u00ed film. O jak\u00fd film se jedn\u00e1 a jak v\u016fbec takov\u00e9 studentsk\u00e9 nat\u00e1\u010den\u00ed prob\u00edh\u00e1 sd\u011blil v\u00a0rozhovoru pro Prahu \u0160kolskou. Autor se pod\u00edl\u00ed […]<\/p>\n","protected":false},"author":32,"featured_media":12250,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"inline_featured_image":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[30],"tags":[2],"class_list":["post-12247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rozhovory-se-studenty","tag-dulezite"],"acf":[],"_links":{"self":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12247"}],"version-history":[{"count":10,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12247\/revisions"}],"predecessor-version":[{"id":12316,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12247\/revisions\/12316"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/media\/12250"}],"wp:attachment":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}