{"id":12066,"date":"2023-07-10T09:18:00","date_gmt":"2023-07-10T07:18:00","guid":{"rendered":"https:\/\/prahaskolska.200.solutions\/?p=12066"},"modified":"2023-07-09T19:37:13","modified_gmt":"2023-07-09T17:37:13","slug":"rozhovor-future-frames-me-priblizilo-realite-filmoveho-prumyslu-pri-nataceni-jsou-pro-me-nejdulezitejsi-herci-rika-joris-tobe","status":"publish","type":"post","link":"https:\/\/prahaskolska.200.solutions\/?p=12066","title":{"rendered":"ROZHOVOR: Future Frames m\u011b p\u0159ibl\u00ed\u017eilo realit\u011b filmov\u00e9ho pr\u016fmyslu. P\u0159i nat\u00e1\u010den\u00ed jsou pro m\u011b nejd\u016fle\u017eit\u011bj\u0161\u00ed herci, \u0159\u00edk\u00e1 Joris Tob\u00e9"},"content":{"rendered":"\n

Joris Tob\u00e9 je student re\u017eie z Nizozemska. V r\u00e1mci projektu Future Frames prom\u00edtal sv\u016fj absolventsk\u00fd film Zb\u011bsil\u00e9 pokusy (recenzi na n\u011bj naleznete zde<\/a>) na Mezin\u00e1rodn\u00edm Filmov\u00e9m Festivalu v Karlov\u00fdch Varech.  V rozhovoru pro Prahu \u0160kolskou prozradil bli\u017e\u0161\u00ed informace o tom, jak p\u0159esn\u011b Future Frames funguje, ale tak\u00e9 jsme se bavili o jeho absolventsk\u00e9m filmu a re\u017eijn\u00ed pr\u00e1ci.<\/strong><\/p>\n\n\n\n

O \u010dem p\u0159esn\u011b je projekt Future Frames?<\/strong><\/p>\n\n\n\n

European Film Promotion (EFP) si vybere deset mlad\u00fdch re\u017eis\u00e9r\u016f nap\u0159\u00ed\u010d Evropou a za\u0159\u00edd\u00ed jim tady na festivalu v Karlov\u00fdch Varech program. Maj\u00ed tak mo\u017enost prom\u00edtat sv\u016fj film profesion\u00e1l\u016fm z filmov\u00e9 produkce a div\u00e1k\u016fm. V r\u00e1mci tohoto programu m\u00e1me mo\u017enost se sezn\u00e1mit s mnoha lidmi, z\u00fa\u010dastnit se n\u011bkolika workshop\u016f a podobn\u011b. Je to pro n\u00e1s takov\u00e1 cesta z ukon\u010den\u00ed na\u0161ich studi\u00ed k profesn\u00edmu \u017eivotu, abychom zjistili, jak v\u011bci funguj\u00ed a z\u00edskali jsme n\u011bjak\u00e9 kontakty.<\/p>\n\n\n\n

Jak to pomohlo zat\u00edm osobn\u011b v\u00e1m?<\/strong><\/p>\n\n\n\n

\u0158ekl bych, \u017ee na \u0161kole jsem nem\u011bl takov\u00fd n\u00e1hled do reality filmov\u00e9ho pr\u016fmyslu. Na filmov\u00fdch \u0161kol\u00e1ch se v\u011bt\u0161inou u\u010d\u00ed kreativn\u00ed str\u00e1nka v\u011bci, soust\u0159ed\u00edme se na tv\u016fr\u010d\u00ed proces a um\u011bleck\u00fd z\u00e1m\u011br a jak ho doc\u00edlit. Ale film je z\u00e1rove\u0148 obchod, a to je stejn\u011b d\u016fle\u017eit\u00e1 sf\u00e9ra, kter\u00e1 umo\u017e\u0148uje tv\u016frc\u016fm tvo\u0159it. \u0160kola mi dala hodn\u011b ohledn\u011b um\u011bleck\u00e9 str\u00e1nky v\u011bci, ale tady jsem se nau\u010dil spoustu o tom, jak funguj\u00ed festivaly, jak mezi sebou propojit lidi, jak sehnat pen\u00edze a podobn\u011b. Z\u00e1rove\u0148 mi ale \u00fa\u010dast ve Future Frames p\u0159inesla velk\u00e9 publikum, kter\u00e9 mi poskytlo d\u016fle\u017eitou zp\u011btnou vazbu, lid\u00e9 se mnou cht\u011bli mluvit, vy se mnou te\u010f d\u011bl\u00e1te rozhovor, tak\u017ee se mi dostalo i nemal\u00e9 pozornosti, a to je taky skv\u011bl\u00e9.<\/p>\n\n\n\n

Jak jste se o projektu dozv\u011bd\u011bl?<\/strong><\/p>\n\n\n\n

Ka\u017ed\u00fd st\u00e1t do Future Frames nominoval dva absolventsk\u00e9 filmy, kter\u00e9 podle nich byli nejlep\u0161\u00ed a EFP z\u00a0nich vybere jeden. J\u00e1 jsem byl osloven nizozemskou organizac\u00ed, kter\u00e1 za\u0161ti\u0165uje mezin\u00e1rodn\u00ed filmovou distribuci. Ti mi \u0159ekli, \u017ee se jim l\u00edbil m\u016fj film a \u017ee existuje tenhle projekt. Zeptali se m\u011b, jestli se chci z\u00fa\u010dastnit a j\u00e1 samoz\u0159ejm\u011b souhlasil. Tak\u017ee jsem o tom nev\u011bd\u011bl, dokud se oni neozvali m\u011b.<\/p>\n\n\n\n

Co v\u0161echno mus\u00ed \u010dlov\u011bk spl\u0148ovat, aby se do Future Frames dostal?<\/strong><\/p>\n\n\n\n

Mus\u00ed b\u00fdt absolventem filmov\u00e9 \u0161koly, to je asi nejd\u016fle\u017eit\u011bj\u0161\u00ed podm\u00ednka, proto\u017ee se prom\u00edtaj\u00ed v\u00fdhradn\u011b absolventsk\u00e9 filmy. Platit se nic nemus\u00ed a nen\u00ed to ani \u017e\u00e1nrov\u011b omezen\u00e9, naopak, \u010d\u00edm v\u011bt\u0161\u00ed rozmanitost, t\u00edm zaj\u00edmav\u011bj\u0161\u00ed. M\u016f\u017eete se p\u0159ihl\u00e1sit s\u00a0experiment\u00e1ln\u00edm sn\u00edmkem, s\u00a0animovan\u00fdm filmem nebo norm\u00e1ln\u00ed fikc\u00ed. Mus\u00edte b\u00fdt zkr\u00e1tka mlad\u00fd, inspirativn\u00ed re\u017eis\u00e9r, co ukon\u010duje, nebo ukon\u010dil filmovou \u0161kolu. Potom u\u017e jen sta\u010d\u00ed ozvat se va\u0161\u00ed lok\u00e1ln\u00ed \u010desk\u00e9 \u201epobo\u010dce\u201c EFP a \u0159\u00edct jim, \u017ee tu m\u00e1te absolventsk\u00fd film, kter\u00fd byste r\u00e1d p\u0159ihl\u00e1sil do Future Frames. U m\u011b se to stalo naopak, \u017ee se ozvali oni mn\u011b, ale jde to ur\u010dit\u011b i takhle.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Delegace Future Frames. Zdroj: EFP<\/p>\n\n\n\n

O \u010dem byl film, kter\u00fd jste zde uv\u00e1d\u011bl. Nem\u00e1m te\u010f na mysli p\u0159\u00edb\u011bh, ale co jste t\u00edm filmem cht\u011bl sd\u011blit?<\/strong><\/p>\n\n\n\n

P\u0159edev\u0161\u00edm jsem cht\u011bl uk\u00e1zat na\u0161e nikdy nekon\u010d\u00edc\u00ed hled\u00e1n\u00ed existenci\u00e1ln\u00edch odpov\u011bd\u00ed, kter\u00e9 jako lidsk\u00e9 bytosti mus\u00edme podstupovat. J\u00e1 osobn\u011b se na existenci\u00e1ln\u00ed ot\u00e1zky pt\u00e1m dost \u010dasto. Vzbud\u00edm se, za\u010dnu nad t\u00edm p\u0159em\u00fd\u0161let a p\u0159estanu a\u017e v\u00a0noci, kdy\u017e jdu sp\u00e1t. Tak\u017ee p\u0159edev\u0161\u00edm ten sn\u00edmek zobrazuje lidi, kte\u0159\u00ed hledaj\u00ed d\u016fvod, pro\u010d jsme na Zemi a ukazuje, \u017ee proces toho hled\u00e1n\u00ed je pro lidi naprosto p\u0159irozen\u00e1 z\u00e1le\u017eitost. Z\u00e1rove\u0148 se ale nic ned\u011bje, pokud ty odpov\u011bdi nem\u016f\u017eete naj\u00edt.<\/p>\n\n\n\n

Jak byla va\u0161e \u0161kola n\u00e1pomocn\u00e1 p\u0159i cel\u00e9m procesu nat\u00e1\u010den\u00ed?<\/strong><\/p>\n\n\n\n

Byli velmi n\u00e1pomocn\u00ed. My m\u00e1me v\u00a0Nizozemsku dv\u011b velk\u00e9 filmov\u00e9 \u0161koly. Jedna z\u00a0nich je docela zn\u00e1m\u00e1 t\u00edm, \u017ee m\u00e1 hodn\u011b pen\u011bz, tak\u017ee nem\u00e1 probl\u00e9m student\u016fm za\u0159\u00eddit kvalitn\u00ed vybaven\u00ed a podobn\u00e9 drah\u00e9 v\u011bci. J\u00e1 jsem na t\u00e9 druh\u00e9 \u0161kole, kter\u00e1 je sp\u00ed\u0161e zam\u011b\u0159en\u00e1 na kreativitu. Mus\u00edme toho ud\u011blat sami pro sebe v\u00edc. Nedost\u00e1v\u00e1me na absolventsk\u00e9 filmy pen\u00edze, ale zase m\u00e1me skv\u011bl\u00e9 u\u010ditele, kte\u0159\u00ed pracuj\u00ed ve filmov\u00e9m pr\u016fmyslu. J\u00e1 m\u011bl celkem t\u0159i u\u010ditele, kte\u0159\u00ed se mnou poka\u017ed\u00e9 \u010detli sc\u00e9n\u00e1\u0159, pom\u00e1hali mi s\u00a0produkc\u00ed a byli p\u0159\u00edtomn\u00ed i u postprodukce. Pom\u00e1hali mi tak\u00e9 sehnat pen\u00edze na nato\u010den\u00ed filmu. Nevedli m\u011b sice za ruku a ne\u0159\u00edkali mi co p\u0159esn\u011b jak m\u00e1m d\u011blat, ale sp\u00ed\u0161 byli v\u017edy k\u00a0dispozici s\u00a0t\u00edm, \u017ee pokud budu pot\u0159ebovat pomoc, m\u016f\u017eu se jim ozvat. Z\u00e1rove\u0148 ale respektovali, \u017ee je to m\u016fj film a moje vize. J\u00e1 v\u00edm, \u017ee n\u011bkter\u00e9 filmov\u00e9 \u0161koly ud\u011blaj\u00ed pro sv\u00e9 studenty prvn\u00ed posledn\u00ed, aby mohli nato\u010dit dobr\u00e9 d\u00edlo, co\u017e na jednu stranu je pro re\u017eis\u00e9ra velmi p\u0159\u00edjemn\u00e1 pozice, na druhou stranu to ale nen\u00ed moc bl\u00edzko skute\u010dn\u00e9mu sv\u011btu.<\/p>\n\n\n\n

M\u00e1te n\u011bjakou svou typickou re\u017eijn\u00ed techniku? Nap\u0159\u00edklad Wes Anderson d\u011bl\u00e1 symetrick\u00e9 z\u00e1b\u011bry, Sam Raimi d\u011bl\u00e1 intenzivn\u00ed z\u00e1b\u011bry na o\u010di, Christopher Nolan nat\u00e1\u010d\u00ed na film\u2026 M\u00e1te n\u011bco podobn\u00e9ho?<\/strong><\/p>\n\n\n\n

Napadaj\u00ed m\u011b dv\u011b v\u011bci. Prvn\u00ed je, \u017ee r\u00e1d zasazuji d\u011bj filmu na jednu lokaci. Nerad p\u0159eskakuji mezi r\u016fzn\u00fdm prost\u0159ed\u00edm, nastav\u00edm jedno a tam se v\u0161echno stane. A ta druh\u00e1 je t\u00f3n m\u00fdch film\u016f. Opakuj\u00ed se u m\u011b toti\u017e prvky dramatu, ze kter\u00fdch ale vyplynou vtipn\u00e9 situace. Je to takov\u00fd zvl\u00e1\u0161tn\u00ed styl komedie, ve kter\u00e9 ned\u011bl\u00e1m vtipy.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Robbert Bleij ve filmu Zb\u011bsil\u00e9 pokusy. Zdroj: sn\u00edmek Zb\u011bsil\u00e9 pokusy<\/p>\n\n\n\n

Kdy\u017e nat\u00e1\u010d\u00edte, na kter\u00fd prvek z cel\u00e9 produkce se soust\u0159ed\u00edte nejv\u00edc? Kamera, sc\u00e9n\u00e1\u0159, sv\u011btla, herci, hudba, sc\u00e9na\u2026?<\/strong><\/p>\n\n\n\n

Ur\u010dit\u011b na herce. Na nat\u00e1\u010den\u00ed jsem celou dobu v\u00edcem\u00e9n\u011b jen s herci. P\u0159ed nat\u00e1\u010den\u00edm jsem hodn\u011b s kameramanem, osv\u011btlova\u010dem a celkov\u011b s cel\u00fdm \u0161t\u00e1bem, vysv\u011btl\u00edme si v\u0161e pot\u0159ebn\u00e9 a potom, kdy\u017e u\u017e se nat\u00e1\u010d\u00ed, sta\u010d\u00ed n\u00e1m dv\u011b, t\u0159i slova, abychom pochopili, co po sob\u011b chceme, a j\u00e1 se tak m\u016f\u017eu soust\u0159edit na pr\u00e1ci s herci. Podle m\u011b je to d\u016fle\u017eit\u00e9, proto\u017ee m\u016f\u017eete m\u00edt kr\u00e1sn\u00e9 z\u00e1b\u011bry, kr\u00e1sn\u00e9 nasv\u00edcen\u00ed, skv\u011blou hudbu, skv\u011blou lokaci, ale pokud herci nejsou perfektn\u00ed, nebo nen\u00ed z\u00e1bavn\u00e9 se na n\u011b d\u00edvat, jste docela v h\u00e1ji, proto\u017ee to je ten prvek, na kter\u00fd se div\u00e1k kouk\u00e1 nejv\u00edc. Mus\u00edte proto nastavit t\u00f3n dan\u00e9 situace a nast\u00ednit jim pot\u0159ebnou motivaci. D\u011blali jsme i zkou\u0161ky, co\u017e bylo tro\u0161ku komplikovan\u00e9, jeliko\u017e jsem jim nemohl zaplatit a zkou\u0161en\u00ed je pom\u011brn\u011b \u010dasov\u011b n\u00e1ro\u010dn\u00e9, ale bylo tam n\u011bkolik herc\u016f, pro kter\u00e9 to byla prvn\u00ed zku\u0161enost s filmov\u00fdm nat\u00e1\u010den\u00edm, jeliko\u017e \u010derstv\u011b vylezli z hereck\u00e9 \u0161koly, tak\u017ee jsem po nich mohl zkou\u0161en\u00ed vy\u017eadovat. Dohromady jsme zkou\u0161eli dva dny, ale j\u00e1 bych to zvl\u00e1dl t\u00fddny a t\u00fddny. Mysl\u00edm, \u017ee to d\u00e1 filmu \u00fapln\u011b novou kvalitu, proto\u017ee u\u017e m\u00e1te zvl\u00e1dnutou celou situaci p\u0159edem a na nat\u00e1\u010den\u00ed u\u017e je to jen o tom d\u011blat to lep\u0161\u00ed a lep\u0161\u00ed.<\/p>\n\n\n\n

Jak\u00fd na v\u00e1s ud\u011blal festival v Karlov\u00fdch Varech dojem?<\/strong><\/p>\n\n\n\n

Jsem tu poprv\u00e9 a jsem ohromen. Tohle m\u011bsto je kr\u00e1sn\u00e9 a festival je o dost v\u011bt\u0161\u00ed, ne\u017e jsem \u010dekal. Doslova cel\u00e9 m\u011bsto \u017eije jen t\u00edm a je tu hrozn\u011b moc lid\u00ed. Taky projekce je velmi kvalitn\u00ed i po technick\u00e9 str\u00e1nce, s\u00e1ly maj\u00ed skv\u011bl\u00fd zvuk a jsou n\u00e1dhern\u00e9. Je to pro m\u011b opravdu pohlcuj\u00edc\u00ed z\u00e1\u017eitek. J\u00e1 jsem s\u00a0t\u00edmhle filmem u\u017e na jednom festivalu v\u00a0Nizozemsku byl a m\u011blo to podobn\u00fd koncept, t\u00edm \u017ee to taky prob\u00edhalo po cel\u00e9m m\u011bst\u011b, ale tady je to \u00fapln\u00fd filmov\u00fd r\u00e1j.<\/p>\n","protected":false},"excerpt":{"rendered":"

Joris Tob\u00e9 je student re\u017eie z Nizozemska. V r\u00e1mci projektu Future Frames prom\u00edtal sv\u016fj absolventsk\u00fd film Zb\u011bsil\u00e9 pokusy (recenzi na n\u011bj naleznete zde) na Mezin\u00e1rodn\u00edm Filmov\u00e9m Festivalu v Karlov\u00fdch Varech.  V rozhovoru pro Prahu \u0160kolskou prozradil bli\u017e\u0161\u00ed informace o tom, jak p\u0159esn\u011b Future Frames funguje, ale tak\u00e9 jsme se bavili o jeho absolventsk\u00e9m filmu a re\u017eijn\u00ed pr\u00e1ci. O […]<\/p>\n","protected":false},"author":32,"featured_media":12067,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"inline_featured_image":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[108,30,35],"tags":[2],"class_list":["post-12066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rozhovory-praha-skolska","category-rozhovory-se-studenty","category-studentska-tvorba","tag-dulezite"],"acf":[],"_links":{"self":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12066"}],"version-history":[{"count":5,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12066\/revisions"}],"predecessor-version":[{"id":12080,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/posts\/12066\/revisions\/12080"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=\/wp\/v2\/media\/12067"}],"wp:attachment":[{"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prahaskolska.200.solutions\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}